Participate in the 3rd Season of STORYMIRROR SCHOOLS WRITING COMPETITION - the BIGGEST Writing Competition in India for School Students & Teachers and win a 2N/3D holiday trip from Club Mahindra
Participate in the 3rd Season of STORYMIRROR SCHOOLS WRITING COMPETITION - the BIGGEST Writing Competition in India for School Students & Teachers and win a 2N/3D holiday trip from Club Mahindra

Radha Prathi

Drama Classics Inspirational


4.5  

Radha Prathi

Drama Classics Inspirational


To Know or Not to Know

To Know or Not to Know

3 mins 189 3 mins 189

The question that bothered me constantly may not be as existential as that of Hamlet’s, nevertheless has nagged me effectively. What does a person do, when he or she knows something for a fact and finds people mouthing the contrary with confidence in public? I know that the simple and straight answer to this question is to correct the error/s. However, the process is not as uncomplicated as it appears to be. Factors like social etiquette, status, relationship, time, place and situation can prove to be obstacles for articulating one’s thoughts. It is certainly not a great idea to ruffle feathers of complacency, bruise the egos or jeopardize associations over trivia. On the other hand, donning a poker face on such occasions can cause considerable mental strain.

Since it is a Herculean task to opine without coming across as conceited, I learned the art of to keeping my opinions to myself, unless it is sought for. Yet, I must confess that there have been occasions when I have spoken out of turn, much to the chagrin of others.

Once I happened to enter a hall where some people were discussing a poem animatedly. We acknowledged one another and they continued their dialogue on my pet subject. Their interpretation seemed to be off the mark. My latent antenna picked it up. I interjected unceremoniously with my eager elucidation. Stoic silences and stolid stares punctuated the place. Though the situation normalized subsequently, I was disturbed for a long time.

This time around, I vowed to find an answer to my dilemma. The universe sent me a response through an authority on mythological paintings of Tibet. I broached her with my prize question. She recounted an incident. Long ago, she had attended a talk on Tibetan art, culture and cuisine. Soon after, they were shown a mural of a goddess and were told that it was Saraswathi. Our lady recognised it as goddess Manjushree. She gently whispered her finding to her husband. The suave, westernised fellow guests were put off by her temerity to have a private conversation during a niche lecture. The speaker, who also noticed her patronizingly encouraged her to share her thought. Our connoisseur of art was initially was embarrassed. However she gathered her wits and identified the painting as Goddess Manjushree. When eyebrows were raised she listed out the similarities and differences between the deities with in a scholarly manner. An awkward silence prevailed for a while. The speaker wound up his talk unceremoniously. The organisers who had half baked knowledge on the subject led our lady away even as the crowd dispersed amidst murmurs. The lady expert realised that her knowledge landed her in an unenviable position.

 However when she gave the conundrum a deep thought, she realised that it was not in her power to change the mindsets or responses of people during a short association. So she decided to adhere to the Gandhian principle and “be the change she wanted to see.” Henceforth she would make corrections if and when necessary more conscientiously than ever before. She also decided that she would accept her mistakes gracefully and change her opinion if it was warranted. Her resolve clarified my predicament and has hopefully left me a better person.


Rate this content
Log in

More english story from Radha Prathi

Similar english story from Drama