CHANGE OF GUARD
CHANGE OF GUARD


Her absence acutely felt when the festivities start and when they end.
Step by step instructions on what to get
for puja samagri...flowers, sweets, favourite incense.
Insisted we carefully select Lakshmi and Ganesh idols.
No chips, no running of colours into each other. Advised should have well defined flawless features.
And perchance if found any defects,
with her hands would repair damage.
Come Diwali, bathed and dressed made all the arrangements, in great details.
God and Goddess placed on platform raised, covered with coloured cloth gold braided,
Swastika embedded.
All we did was perform the rituals while she sat
behind lips moving in prayers, ringing the 'ghanti' with her right hand
keeping to tune of aarti songs sung in praise.
A woman of steel, didn't allow personal tragedies
any sorrow on her face reflect
Conscious our lives it would affect.
Continued with the business of living, As o
ur bodies bend with age, feel the loss of
our pillar of strength, gone eleven years,
leaving us bereftconstant
source of mental sustenance
Moved gracefully adapted to the change, yet holding on to values never waived
Every festival her image floats before the Temple in the wall recess
A Goddess in human form she represented
Last evening sound of the ghanti ringing by non other than her barely three year old great grandson,
brought back memories, which rushed like a burst dam,
wishing she was there to witness the
new 'ghanti' in-charge, replaced
Was she watching with amusement
on her face,
change of guard that has taken place,
since she left?
Those hands are missed daily in every activity
but feel them raised over our heads.
'Ghanti' brass prayer bell
'samagri' commodities
'aarti' devotional songs